- Entertainment critic Sabato Sabato highlights the struggles of Ngesh Kaveve Kazoze and Spider Clan.
- Claims the group lacks musical talent and has only relied on luck.
- Suggests they should seek alternative employment instead of pursuing music.
- Offers to help Ngesh secure a domestic job abroad in Qatar or Dubai.
- Promises support to other crew members, including a motorbike to start small business ventures.
Popular entertainment critic Sabato Sabato has once again stirred conversation online after opening up about the struggles of Ngesh Kaveve Kazoze and his Spider Clan crew.
In a video that quickly went viral on TikTok, Sabato warned that the group’s music career is no longer viable. He stated that their earlier success was more about luck than actual talent.
“Anateseka sana. Music will not help them anymore. Their era is done,” Sabato said, referring to the group’s financial and professional hardships.
Instead of focusing on music, Sabato urged prominent figures, including politician Karen Nyamu, to support Ngesh and Spider Clan by offering them stable employment. He stressed that jobs could help them sustain themselves and regain stability.
“The best way to help them is to give them work. They should forget music because they lack the talent and have been surviving on luck,” he added.
Sabato went further to make personal offers of assistance. He said he could help Ngesh move abroad to Qatar or Dubai, where he could secure a well-paying domestic job without going through complicated procedures.
For another member of the Spider Clan, identifiable by short dreadlocks, Sabato promised to take him to Naivasha and provide a motorbike, giving him a chance to earn a living independently.
The video has sparked debate online, with fans sharing mixed reactions. Some praised Sabato’s honesty and generosity, while others argued that the group could still pursue music or creative ventures.
Sabato’s intervention shines a light on the realities of the entertainment industry in Kenya, where talent alone does not guarantee long-term success. His approach suggests that practical support and alternative career paths may be a more sustainable solution for artists facing financial hardships.
